Een bescheiden selectie van publicaties en artikelen die ons zijn opgevallen en de moeite van het lezen waard zijn (op jaartal):

2017

2016

  • Sarah Douglas on Lisa Cooley closing her gallery: “This morning, Cooley spoke with us about some of the reasons for her closure, saying that, due to recent changes in the art world and art market, running a gallery of her size “is not a sustainable business right now.”
    To read the whole article, Art Newspaper, 29 August 2016
  • LISTE Director Peter Bläuer on what gallerists do for the artists: “we have a lot of artist-run spaces. But the difference is that they don’t represent the artists. It’s a very different concept—they’ll show an artist, but they don’t represent them, they won’t show them a second or third time, and the don’t make the connections to museums.The gallerist has a different profile. He’s the manager of an artist. I think the way it works is that the young gallerists go to the artist-run projects to look for new artists, but, in the end, the artists would like to be represented, and it’s still the gallery that does this work.”
    Read the whole article at Artspace here.
  • Cristina Ruiz, When artists and gellerists part company. The Art News Paper. 12 April 2016Code of Ethics for art galleries, 2016, Written by a committee of three members of the Board of Directors of Le Comité Professionnel des Galeries d’Art: David Fleiss, Benoit Sapiro et Philippe Valentin.
    Download in English | Download in French
    The purpose of this Code of Ethics is to specify the rights and obligations of art galleries and dealers. It defines the professional relations with artists and an artist’s successors in title, presents relations with buyers and sellers, and relations between confreres.The stipulations are based on the applicable legislation, case law and regulations. They are also based on accepted common practice within the profession, respecting the interests of each person. Galleries that belong to the french Professional committee of art galleries act in accordance with their legal obligations and undertake to com- ply with this Code of Ethics.
  • Marc Spiegler, Ten questions all gallerists should be asking themselves now.The Art Newspaper 29 January 2016
  • José Da Silva, London’s emerging galleries host exhibitiors from abroad. The Art News Paper. 15 January 2016
  • Melanie Gerlis, The price is right? Galleries would rather not say, The Art Newspaper, # 275, January 2016

2015

2014

Publicaties (op alfabet)

  • Jan van Adrichem e.a. , red. Noor Mertens, Positioning the Art Gallery, Valiz, 2012
  • Willem L. Baars, Wie bepaalt de waarde van kunst? Nieuw Amsterdam, 2009
  • J. Barendregt, e.a., Bedrijfscollecties in Nederland /Corporate art collections in the Netherlands, NAi uitg, 2009
  • Louisa Buck and Judith Greer, Owning Art, The Contemporary Art Collector’s Handbook, Cultureshock Media Ltd, London, 2006
  • Annie Cohen-Solal, Leo & his circle. The life of Leo Castelli, Random House, 2010
  • Egbert en Loes Dommering, Collectie Dommering, Imaginair museum, eigen beheer, 2008
  • Rudi Fuchs, Tussen kunstenaars, De Bezige Bij, 2002.
  • Rudi Fuchs, Kijken. Een leesboek over kunst, De Bezige Bij, 2011
  • James Goodwin, The International Art Markets -The Essental Guide for Collectors and Investors, Kogan Page, 2010
  • Truus Gubbels, Ingrid Janssen, Kunst te koop! Artistieke innovatie en commercie in het Nederlandse galeriebestel, Boekmanstichting, 2001
  • Truus Gubbels, Passie of professie. Galeries en kunsthandel in Nederland, Uniepers en Boekmanstudies, 1999
  • Rob Hamelijnck, Thibaut De Ruyter, Olav Velthuis, Front Desk / Back Office, The Secret World Of Galleries In 39 Pictures And Two Texts, Fucking Good Art editions, 2010
  • Hans den Hartog Jager, Verf, Athenaeum-Polak & Van Gennep, 2004
  • Hans den Hartog Jager, Het sublieme: het einde van de schoonheid en een nieuw begin, Athenaeum-Polak & Van Gennep, 2011
  • Paul Kempers, Binnen was Buiten, De Sandbergvleugel Amsterdam, Vadiz, 2010
  • Arjen Kok e.a., red. Truus Gubbels,  Niets gaat verloren, twintig jaar selectie en afstoting uit Nederlandse museale collecties,  Boekmanstichting 2007
  • Clare McAndrew, The Art Economy, Gardner’s, 2007
  • Kees Peeters, Wim Beeren, Rogier Schumacher e.a., red. Jan van Adrichem  e.a., Wim Beeren, om de kunst. Opvattingen van een museumman over moderne kunst, kunstenaars, musea en kunstbeleid,  NAi uitg, 2005
  • Magnus Resch, Management of Art Galleries, Valiz, 2015
  • Eva Rovers, De eeuwigheid verzameld: Helene Kröller-Müller (1869-1939), Bert Bakker, 2010
  • Renee Steenbergen, De nieuwe mecenas, Cultuur en de terugkeer van het particuliere geld, BusinessContact, 2008
  • Sarah Thornton, Seven Days in the Art World, Norton, 2008 //Ned. Vertaling: Art. Achter de schermen van de kunstwereld, De Bezige Bij, 2009
  • Olav Velthuis, Gil Troy, Talking Prices, Princeton University Press, 2007
  • Alex de Vries e.a. , red. Truus Gubbels, Karine Verloren van Themaat, Veranderingen in de beeldende kunstmarkt, galeriehouder, kunstenaar en koper in beweging, NGA, 2008
  • Edward Winkleman, How to Start and Run a Commercial Art Gallery, Allworth Press, 2009
  • Aat van Yperen, Frank Eerhard e.a., red. Truus Gubbels , Onmetelijk optimisme, kunstenaars en hun bemiddelaars, 1945-1970, Waanders, 2006
  • Joost Zwagerman, Alles is gekleurd, Arbeiderspers, 2011
  • Joost Zwagerman, Kennis is geluk, nieuwe omzwervingen in de kunst, Amsterdam, 2012